Over the years we received lots of letters at Wrapped In Plastic. In the pre-internet days, the letters page in WIP was a forum for many fans to connect with one another. Most fans wrote to share interesting theories about Twin Peaks. Others took us to task over one topic or another. (The dream theory in Wrapped In Plastic #60 probably garnered the most mail. Some readers were quite upset that we suggested an alternative take on their favorite film. Others were open to the idea and relished debating the new interpretation.)
We got letters from many different countries. I can remember
getting some from South Africa, Israel, Australia. It was exciting to realize we were reaching Twin Peaks fans all over the
world!
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Here’s a sample of some fun or interesting letters from Wrapped In Plastic.
This is but a tiny portion; there are probably enough letters in the 75 issues of WIP to make a book!
WIP 6 (Aug 1993): Some interesting theories and predictions from decades ago.
I hope any future films of Twin Peaks will be done for television. If the networks don't want it, then have it in syndication. FWWM could have been done for television just as well, maybe better. Twin Peaks was born on television; it should stay on television so everyone can see it at the same time and then start analyzing the tape. That's the way it should be. It would be nice if it could come back as a weekly series, even if some parts have to be replaced. I would love to see that third season.
Dear Craig and John,
I just received WIP, and after reading it I felt like seeing
FWWM again. I must say that upon second
viewing it appeared to be a stronger film than I had remembered. Do you have any thoughts on the significance
that clocks and time played in the film?
Toward the beginning of the film, Chet Desmond, speaking to Sheriff
Cable, said, "We keep our own clock."
Shortly after this, the first of many shots of various clocks is shown. Clocks appear throughout the film and Desmond
plays a little joke on Stanley by asking him what time it is. And on Laura's last day we see the shot of
the clock that runs out of control while accompanied by the song, "Moving
Through Time." I pondered the role
that time may have played in the film, but I couldn't come up with any strong
theories. Any thoughts?
Here's a fun letter from an enthusiastic Twin Peaks fan. I wonder what he is doing today?
Dear WIP,
I need to clarify this thing about a
monkey in FWWM. Throughout the Twin
Peaks series and movie, one point has always come up: "The owls are not what they
seem." The owls! It's not a monkey, but an owl close up and
eating creamed corn. The owls are BOB
and his followers. Look under your nose,
and you will see that I am right. The
owls have been watching Laura, Cooper, and all the other characters throughout
the series, books, and movie.
I hope the WIP team sees what I see,
because I don't want to hear about monkeys any more. They're owls!
Sheriff Truman said to Cooper in
episode three that there is some kind of darkness in the woods, and that they
take many forms (as spirits and owls).
Hope you get the message!
Occasionally we received a special letter. This was one from Catherine Coulson, shortly after we interviewed her for WIP 5:
WIP 9 (February 1994): Some people didn't like articles. Some people didn't like interviews. And some people didn't like covers.
WIP 9 (February 1994): Some people didn't like articles. Some people didn't like interviews. And some people didn't like covers.
Craig and John,
Just read WIP 8.
First let's start with the cover.
WIP cannot be accused of predictable "formula" when it comes
to magazine covers. That is without a
doubt the most tacky, unflattering photo of Frank Silva I have seen. Thought you'd like some feedback. Nice illustration of Bob on page 1,
though.
WIP 19 (Oct 1995): We wrote a lot about The X-Files. But, let's face it, The X-Files was just a TV show (sometimes good, lots of times not):
Your
complaints about The X-Files being
"notorious for sucker-punching the viewer with unfinished stories and
dangling subplots" puzzled me.
These are a bad thing in XF,
but they are okay in Twin Peaks? Let's face it, TP has a lot of unfinished stories and dangling subplots, and I
have yet to see you criticize it for this in the same harshness and
consistency that you do for XF. Instead you praise TP and declare it one of the greatest series ever.
TP's producers and writers had opportunities to wrap up
all of the stories. They had to know
their show was in danger of being cancelled, and they could have resolved
everything, but they didn't. Then a
movie was made. They could have wrapped
up everything in that, but they didn't.
You watch XF and declare that
"Mulder's fate [from the second season finale] must be shown." What about Twin Peaks and Cooper's?
WIP 47 (June 2000): Here's a good one. "It's Twin Peaks, man!"
Ten years ago I was finishing the first year of teacher
training in a small New England college.
The spring of that year, there was a buzz going through my dormitory
about a new television series called Twin Peaks. Between work and study and a general
disinterest in television, I never watched the first episodes. That was until the night I walked into the
lounge from the campus library at the very end of the first season finale. I entered just as Cooper opened the door to
his room. I saw the gun barrel at the
same time he did and felt those same three shots to the stomach. As the screen went black and his body hit the
floor, I remember being paralyzed, completely transfixed and unmoved, and all I
could say was, "What is this?" over the awed shouts and screams of
disappointment the small legion of watchers in my dormitory were
experiencing. "It's Twin Peaks,
man!" the resident assistant told me.
And right at that moment, on that very spot, in what can only be
compared to a religious experience (I'm sure many fans know the feeling all too
well), I was hooked. Ten years later, as a teacher in a Tibetan refugee
settlement in Northern India, I still have a serious disinterest in television,
but am as in awe of Twin Peaks as I was in those last thirty seconds of the
first season finale. Experiencing Tibetan
Buddhism here on a day-to-day basis, my mind reels at the similarities to
Cooper and the series. I hope this will
be an angle pursued sometime within these very pages. For now, I remain honored to have caught Twin
Peaks ten years ago, like a comet hurtling through space for a brief instant,
or ducks on a pond, or a wonderfully strange dream.
WIP 52 (April 2001): I liked this one, even though I didn't totally get what the writer was trying to say:
WIP,
February marked Laura Palmer's sad anniversary. Who really is Laura Palmer? Everything or nothing, the essence of mystery
and transcendentalism. The people of the town are broken-hearted and yet their
lives go on, as if Laura somehow reincarnated in all of them. Now that I think about it, Laura never really
dies but always resurfaces in Donna or Madeleine Ferguson, for example. When Donna visits James in jail there
certainly is something very different about her, the attitude especially. Also, notice how Nadine all undergoes a major
change as if she were in high school.
Unfortunately, like all martyrs, Laura has to die in order
to be reborn. She died in the body which
caused her anguish and pain only to seek redemption. Who can forget the triumphant smile and tears
when Cooper, also a sacrificial lamb of sorts, is sitting with her in the
waiting room, opening the door to paradise?
Cooper and Laura's fate have been sealed, not in this world but in
another time dimension. Cooper sees her
in his dream, in Glastonbury Grove and finally in the end. The mystery will never be fully solved. Lynch's spectacular scenarios (I don't see
why critics dissed Fire Walk With Me) are picture perfect. The many Laura's coincide with our own
multiplicity, the shivic cosmic dance of death and rebirth.
WIP 54 (August, 2001): I always liked this analysis of Laura's hand gesture in episode 29:
Dear WIP,
Wonderful, thought-provoking article on Twin Peaks's final
episode. As a pianist/composer, I have
been fascinated for many years by sacred and secular hand gestures throughout
the world. Whether intended or not by
Mr. Lynch, Laura Palmer's hand gesture in the Red Room is identical with a
common "mudra," or symbolic hand gesture, found in Buddhist sculpture
called "semui-in" (in Japanese), "shih-wu-wei-yin" (in
Chinese), and "abhayamudra" or "abhayamdadamudra" (in
Sanskrit). It is used in meditations to
create the absence of fear and is similar to the teaching mudra,
"an-i-in" except that Laura’s left hand would have to be turned
outward and somewhat down.
This one never saw print. This guy really didn't like that we were charging money for back issues:
WIP 61 (October 2002): Just one of the many, many letters about the dream theory essay. Some readers liked, others didn't. That's the way it goes. (Still, one prominent film critic who had been a big influence on my writing wrote and praised the essay. I felt like I had written something substantive and worthwhile. It was a good feeling.)
WIP 61 (October 2002): Just one of the many, many letters about the dream theory essay. Some readers liked, others didn't. That's the way it goes. (Still, one prominent film critic who had been a big influence on my writing wrote and praised the essay. I felt like I had written something substantive and worthwhile. It was a good feeling.)
Craig and John,
Just recently finished your article about FWWM's Deer Meadow
prologue. Your theory that it's all
Cooper's dream is quite brilliant, holds together well, and should make lots of
your readers very happy. But....
I reject it. I reject
it because I don't feel any need for it.
The first thirty minutes of Fire Walk With Me are probably my favorite
half hour in any film, and accepting your take on it would honestly spoil the
magic for me. Taken as
"reality," I find the prologue to be mysterious, incredibly
intriguing, and a whole lot of fun. I
actively enjoy trying to piece together all my little theories about how the
supernatural elements "work."
After finishing your essay, I sat and thought about the prologue as a
dream, and the whole film suddenly seemed less interesting to me. It felt like a cop out. So my own search for answers will
continue.
That's it for now. There's more WIP 25th Anniversary celebration to come. Stay tuned.
Thanks grreat blog post
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