Here are the next two installments in the Twin Peaks
Hotline: a service that allowed viewers of Twin
Peaks to call and listen to recorded messages that would recount recent
plot developments on the series. The messages allowed listeners “eavesdrop” on
Lucy and Andy (and a mysterious, unidentified voice) as they discussed what was
happening around the town.
Episode 11:
Lucy: Hello, Twin Peaks Sheriff's station, Lucy
speaking. Oh hi, I guess you're calling
to find out what's been happening. Well,
I'm going to tell you! All men in the
world should be taken to a desert island and forced to eat sand! If I ever meet another guy wearing an ascot,
I'm going to--to--okay, Dick Tremayne is a weasel, a spineless, penny-loafing
weasel! If he thought he could buy is
way out of his responsibility to me, well, he has another thing coming! And--
Andy: Lucy?
Lucy: What!
Andy: You have another call.
Lucy: Hello?
Mom?
Andy: Sometimes I figure you just need to talk to
your mom. I may have jumped over the
fence before the horse started--uh--pulling the cart. I think I was wrong about Lucy seeing other
men. Doc Hayward says I'm better! And there's no reason I can't jump in the saddle,
and gather moss. Whenever I want. I guess you want to know what else
happened. Uh, Judge Sternwood arrived. He'll be handling Mr. Palmer's case. Harry said that Leland will probably plead
temporary insanity. [Static]
Voice: I'll try to stick to the facts. Jean Renault has made a deal with Ben
Horne--Audrey's life for Agent Cooper's, a simple clean exchange. Jean also removed Mr. Battis from any further
business dealings--point blank. Agent
Cooper should be very careful here. Our
visitor from the East, Josie Packard, has returned from her--shopping trip, and
was welcomed home by her cousin Jonathan, a mysterious Asian man who's been
sniffing around the Great Northern. They
seem to be making plans that don't include Sheriff Truman or the mill. Jonathan also paid a visit to Hank Jennings
to sever his relationship with Josie.
Hank agreed, of course--and is fortunate to still be among the
living. I do hope Donna is as cautious
with her friend, Mr. Harold Smith.
Lucy: [amidst
static] --who told my mother?
Voice: I better go!
Lucy: Andy Brennan, you come back on this line!
Andy: I--
Lucy: Did you tell my mother about the baby?
Andy: Not exactly.
She asked me how you were, and when was I ever going to marry you, and--
Lucy: Marry?
Andy: It slipped out.
Lucy: Slipped?!
Andy: Then she said that I should do the proper
thing, or she would break my legs.
Lucy: Oh no!
Andy: I thought she liked me.
Lucy: I have to go now. Thanks for calling. I'll be here next Sunday with more news.
Length of recording: 2 minutes, 33 seconds.
Comments: This recording followed episode 11 by Jerry
Stahl/Harley Peyton/Robert Engels/Mark Frost (writers) and Todd Holland (director).
Lucy's anger at men
results from Tremayne's offer to pay for an abortion for her. (She plans to keep the baby.)
While Lucy
talks to her mom, Andy updates the listener on various plot developments. Andy's
comment about his being "better" refers to the impotency test that he
"flunked" but was allowed to re-take.
(Although, he doesn't get his test results back until episode 12.) The mysterious
voice then takes control of the line. Obviously, the quick recitation of facts
fails to convey any of the story’s nuance, particularly regarding Harold Smith
and Donna.
Episode 12:
Lucy: Twin Peaks Sheriff's--uh, actually I'm over
here in Tacoma at my sister's, helping her out because she just had a
baby. So I came out her to help and to clear
my own head, which, as you know is a little clogged up at the moment. I also got the name of a clinic upcomplete amateur.
Andy: Ow!
Hello? Miss Zipman?
Lucy: Andy?
Andy: Lucy?
Lucy: What are you doing on this line?
Andy: I was talking about Miss Zipman about
her--where are you?
Lucy: None of your business!
Andy: I've been looking all over--
Lucy: So what's happened in town? The caller would like to know.
Andy: Oh.
Hi! This is Deputy Andy.
Lucy: They know who you are.
Andy: Uh, Mr. Palmer got bail. I did a drawing of his head, and it might go
in the newspaper. Leo isn't going to
stand trial until he stops being a vegetable.
So I guess he's going to go home so Shelly can take care of him.
Lucy: Poor Shelly!
Andy: I don't even think she likes vegetables. Lucy?
I want you to know--[static]
Voice: This is all very interesting, but I don't
think it's why you called. Let's get to
business. Donna Hayward and Harold Smith
have gotten quite friendly--so friendly, that with the help of Maddy, Donna
tried to steal Laura's diary. It didn't
work; he caught them. And now they're
both in big trouble. Ben Horne tried to
play it fast and loose, setting Cooper up to get killed when he tried to rescue
Audrey. Cooper had other plans, and,
with a little help from the Bookhouse Boys Truman and Hawk, dear Audrey is back
and safe, with only a few casualties sustained by the rabble at One-Eyed
Jacks. Although thanks to Jean Renault,
good old Blackie has bought the farm instead of the casino. How we will miss her! My time is just--[static]
Andy: Lucy, everything is going to be all
right. Lucy?
Lucy: Andy, are you there?
Andy: I'm here.
I can hear you.
Lucy: Is that you, Mrs. Zipman?
Andy: It's me!
Lucy: Andy, if you're there and not saying
anything, like you always used to in high school when you hyperventilated, and
had to breathe in the bag in French class--
Andy: Lucy, I'm trying to tell you--
Lucy: Unlucky in love: my life story. I'll be back next Sunday with more news if my
life hasn't completely fallen apart more than it already has. This is Lucy.
Bye-bye.
Length of recording: 2 minutes 33 seconds
Comments: This recording followed episode 12 by Barry
Pullman (writer) and Graeme Clifford (director).
Andy and Lucy can't
seem to agree on the marital status of Ms. Zipman; twice Andy refers to her as
"Miss," but Lucy calls her "Mrs."
This recording reveals
how Andy knows French—he apparently took classes in high school.
There is no
explanation of how Lucy--at her sister's home in Tacoma--answers a phone call
into the Twin Peaks Sheriff's station.
Following recordings handle the situation more logically--Andy answers
our phone call, and Lucy calls on another line.
The mysterious voice
relates what is happening with Donna, Maddy and Harold, but doesn’t mention
Harold’s curious reaction when he is forced outside by Donna--one of the most fascinating
occurrences in the episode. While much
of the details of what happened in the episode is conveyed, any of the promised
"new information and clues about events on upcoming shows" is
completely missing.
There is no explanation how Lucy's phone in Tacoma is able to answer a call placed to the station; and the Voice also cuts in, violating the basic expectations of a telephone call.
ReplyDeleteThe conversations are more like radio broadcasts, the way they come together. In that era, the communication would have been entirely through wires and switches, no transmissions, no satellites to connect Tacoma to Twin Peaks.
It must have been White Tail and Blue Pine mountains and their strange electromagnetic influence on everything that happens in town, as Mark said in WIP#9.